SHUNGA | Mizuki Nishiyama

The title of this series directly references shunga, a traditional Japanese form of erotic art on ink paintings or woodblock prints produced mainly in the Edo period (1600- 1868). Literally meaning “spring pictures”, shunga destigmatized sex and celebrated intimacy as beautiful and natural. Alluding to concepts in Edward W. Said’s 1978 post- structuralist novel “Orientalism”, Nishiyama delves deeper in her works to explore the patronization of eastern culture that has evolved into “orientalism”. As an artist of mixed Japanese descent, the artist bridges her Japanese heritage with nuanced concepts such as modern orientalism to desexualize lust.

Despite being in the 21st century, Nishiyama still inevitably experiences cultural adhesion. SHUNGA transcends traditional Japanese aesthetics and Western stereotypes. In continuation with concepts regarding human fragility, as well as the artist’s cultural identity, SHUNGA liberates and brings light to the vulnerable aspects of our beings. Both as an Asian Artist and Asian woman, the artist hopes to elevate her sense of identity and humanity through these works."

-Whitestone Gallery Hong Kong, 2020

In support of Operation Smile